It’s been a long time, and what can I say? The election. But while all that was going on, practice continued, we had some really good tutorials, a lot of great yumi conversation over the New Year holidays… One of the nice things about being in Japan is that US politics rarely come up. Some people ask, “What is the matter with you people?” But then, Japanese politics, Korean politics, Chinese politics… nobody seems to be having a very smooth time of it these days. Fortunately Kyudo is an oasis that never runs dry. Frustrating maybe, but never dry!
At a tutorial back in November, I was taught a different way of forming tenouchi, the important points being to keep the left hand completely relaxed into daisan, and to make sure that at that time (and from there into kai) the outer edges of the bow fit into the grooves in the hand created by (1) the tenmon line and (2) the inside of the third (distal) joint of the lower three fingers. Beyond that the hand is just receiving the bow.
It’s taken me quite a bit of time to learn how to do that, with many ups and downs. In addition, I was told that I am indeed overdrawing the bow. Part of that is because, while my usual bow is being repaired, the one I have is a little weaker so I feel like I need to draw it more in order to feel like I have the right amount of resistance. But… this isn’t the way! Instead what I’m trying to do is draw in a fairly (but not entirely) relaxed sort of way, and only once I reach kai, begin expanding left/right up/down. This harks back to something Usami-sensei would tell us in Nagoya, but which I didn’t really understand until now (assuming I’m getting it now): the need to sort of have some “space” or “energy” in reserve when you get to kai, otherwise there won’t be anything you can do and you’ll be stuck there like a statue unless you make some unnecessary movements to force the release.
And then… I’m learning the fine art of not shooting too fast while continuing to expand (rather than just waiting). This seems to come down to some fairly subtle mental practice, because sometimes it’s hard to recognize that I am, in fact, releasing on purpose. Usually the tsurune is a clue after the fact, but I need to comprehend it mentally/spiritually, by feeling.
I also had a chance to talk with one of the hanshi about mushin. He said, if I understood correctly, that you develop this simply by concentrating on the shaho-hassetsu. That one-pointed concentration, focusing only on what you need to be doing, seems to be the path. So I try to do that.
At the same time, I realized recently that I’ve completely lost touch with my breathing, so I’m trying to find that rhythm again. And kiza… yes… kiza. Over the holidays that was my teacher’s main complaint. I need to be able to sit that way and stay still, no matter what it takes. So… practice.
One interesting side-note about kiza is that recently our heating stove broke and we had to call a repairman. It was -18 outside so yes… we really needed the repairman. He got it working, but I noticed that the entire time he was working, he sat in kiza, as if it were the most natural and relaxed thing in the world. Half an hour… maybe an hour… and he was still in kiza. Very impressive! True, he didn’t have the ikasu move, and he was moving around a bit, fixing one thing, checking another, but clearly (a) I have a long way to go, and (b) it is possible!
We have another tutorial next weekend with a hanshi from Aomori, and I’m hoping to get more feedback. Winter is good for that.
Oh, also, I’ll be going to Kyoto again this year, so perhaps some of you will, too?